jazz


A video from Manu Dibango – from Idamawatu on YouTube.

Soul Makossa

Hugh Masekela is definitely a person I’d think of if some in Hungary asked me – ” so tell me all about it” – his jazz sound is really very unique – it tells a lot about all the travels he’s done but also about his South African roots.

While I was browsing and actually hardly found anything real Masekela related info – I finally came accross this 2002 Afropop.org interview by Banning Eyre – it’s quite a long one – it will give you a good idea about the life work of this SA jazz maestro:

B.E.: …. let’s talk about your side. You weren’t able to go to South Africa for how long?

Hugh:Thirty years.

B.E.: So what’s it like to live there again now?

Hugh: Well, for me it’s a real bonanza because I never thought I’d be able to go back home, and I’ve been back twelve years. And in twelve years, I’ve been able to get to the point where like this album Time is on Chissa Records, which is our own label. I think that, except for like the young musicians who are into like what is called kwaito–South African hip-hop or whatever you call it–they are the first people to do their own productions. It the same way it happened when reggae started in Jamaica or when samba became a craze in Brazil. We’re just getting into a stage where we’re building the first steps towards creating our own industry, and our own manufacturing, wholesaling and marketing, and hopefully our own distribution. And our own broadcasting. But that’s going to take time because we are trying to access a business that was previously white owned. With Chissa, we’re trying to set up something that is modeled on Motown, where there’s collaboration instead of divided artists. We all try to bring like excellence out of each other. (read on…)

In my dreams I see myself walking through the marketplace in a tiny Moroccan town
Waiting for the caravan to take me accross the mighty Sahara…Hugh Masekela

Weekend time – time to relax and daydream a bit – ever imagined that you are crossing the Sahara? Listen to Hugh Masekela & watch the photos and the experience will definitely take you to another place… :

I haven’t been posting for a while and one of the reasons is that winter has arrived.

African winters can be cold – just like in Tunis – the winters are chilly – since there is no central heating like in Hungary – so if you are cold – all you can do is – jump up and run a few laps :). So instead of typing away and I spent some time staring into our fireplace while trying to warm up a bit.

OpenCafe fire

… which is really relaxing and if you stare long enough – you might even find that you forget all about the issues of the day … and if by any chance you have some smooth jazz on like this one called ‘African Herbs’ by SA jazz master, Abdullah Ibrahim …..

… then automatically you will be transported to a whole different world – just like you were on a holiday in the … Bahamas …. untilll…

…there is the phone again – and you are rudely taken back to the hard working side of things…

Since it’s weekend – I have a bit more time to spend exploring – Kanute says Herbie Hancock is a myth – so I looked around to find some videos.

When it comes to jazz artists there is so much to discover – since every time they play something – it is something new – each piece changes with every performance depending on the selection of instruments, the mood or even the time of day.

The Wikipedia on Herbie Hancock :

Herbert Jeffrey Hancock (born April 12, 1940) is an Academy Award and multiple Grammy Award-winning jazz pianist and composer from Chicago, Illinois, U.S. Hancock is one of jazz music’s most important and influential pianists and composers. He embraced elements of rock, funk, and soul while adopting freer stylistic elements from jazz.

As part of Miles Davis‘s “second great quintet”, Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the “post-bop” sound. Later, he was one of the first jazz musicians to embrace synthesizers and funk. Yet for all his restless experimentalism, Hancock’s music is often melodic and accessible; he has had many songs “cross over” and achieve success among pop audiences.

Hancock’s best-known solo works include “Cantaloupe Island“, “Watermelon Man” (later performed by dozens of musicians, including bandleader Mongo Santamaria), “Maiden Voyage“, “Chameleon“, and the single “Rockit.”

Here is ‘Maiden Voyage’ :